"He began to shuffle idiotically and talk to himself and then he broke and just ran. He put out his legs as far as they would go and down and then far out again and down and back and dout and down and back, God! God! He dropped a book, broke pace, almost turned, changed his mind, plunged on, yelling in concrete emptiness, the beetle scuttling after its running food, two hundred, one hundred feet away, ninety, eighty, twenty, Montag gasping, flailing his hands, legs up down out, up down out, closer, closer, hooting, calling, his eyes burnt white now as hid head jerked about to confront the flashing glare, now the beetle was swallowed in its own light, now it was nothing but a torch hurtling upon him; all sound, all blare. Now- almost on top of him! He stumbled and fell. I'm done! It's over!"
My favorite thing about this passage is the way the author propels the scene forward and forward and then it suddenly stops. Like we talked about in class, this author effectively uses sentence length variety. In the middle of the passage, you can see the repetition he uses to create this mass sentence building all the tension. Then he starts to decrease the length of the sentences and ends with "I'm done! It's over!" The author frequently uses repetition and parallel sentence structure to propel his writing forward. By using this technique, the author has the reader experiencing the scene like the character is; second by second. When I read this, my brain tends to skip over some of it, probably because it's waiting for the main event the repetition is leading up to. I think some use of repetition is good, but overusing it isn't as effective. I think one reason the author used frequent repetition was to show how insane and frantic this character was.